Ms. Sobharani Lakra centers on handloom textiles, material culture, and the cultural semiotics of traditional Indian craft practices. She teaches undergraduate courses and leads research in craft-based textiles. She has co-authored several papers on the chromatic, economic, and environmental dimensions and co-authored two books on conventional textiles and fashion. She was honored with a certificate of appreciation for her contribution in reviving the languishing painting called the Jadupatia painting in 2013 by the Govt. of Jharkhand (Dept. of Industries).

"Soujanya Pani is an Assistant Professor in the Department of Fashion Design at the National Institute of Fashion Technology (NIFT), Bhubaneswar. She holds a Bachelor’s degree in Design (Fashion) and a Master’s degree in Fashion Management, both from NIFT. She specialises in fashion design, Indian textile and craft traditions, and craft-based design development. Drawing from her professional experience across multinational corporations and government sectors, she is committed to translating industry and professional knowledge into meaningful design education.

"Shilpa Jena is an Assistant Professor at the National Institute of Fashion Technology (NIFT), Bhubaneswar, associated with the Accessory Design discipline. She has professional and academic experience in architecture, design education, spatial and interior design, visual merchandising, accessory design, and design research. Her academic practice focuses on creative design thinking, material exploration, spatial experience, sustainability, emerging technologies, and industry-oriented learning.

The proposed next-generation Indian Navy uniform is designed to enhance the safety, comfort, and performance of sailors operating in hot, humid, and demanding maritime environments. The uniform combines lightweight, fire-resistant fabrics with advanced textile technologies to provide protection without restricting movement.

The project begins with Rikhi Ram as the chosen brand, Lippan as the selected craft, and Gurukul as the central theme. The entire window display is developed around the relationship between these three elements.